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The Ben and Joel Podcast makes its third (or is it fourth?) triumphant return for Constitution Day. Returning to the podcast is University of Chicago Law professor Geoffrey Stone, who will appear on a National Constitution Center panel on September 20 to discuss the upcoming Supreme Court term. Stone, who is the former dean of U. of Chicago's Law School, may have the distinction of being the man in United States history to have hired a future U.S. president and the future associate Supreme Court justice the same president appointed. 
Among the questions we discuss:
• Could Elena Kagan move the Supreme Court to the right?
• What do Obama's judicial nominees tell us about his judicial philosophy?
• How ideological is Elena Kagan?
• Will the Supreme Court let states restrict minors' access to violent video games?
• What's wrong with an absolutist interpretation of the First Amendment?
• Does the "fighting words" doctrine apply to book burning?
• Does the "fighting words" doctrine apply to protests at military funerals?
• What do the Rev. Martin Luther King, Jr. and the Rev. Fred Phelps have in common?
• If the Supreme Court found state sodomy laws unconstitutional, there is no way the justices would find bans on same-sex marriage constitutional? Right? Right?!?
• Could the government forbid preachers from condemning homosexuality?
• When are the courts "political" and when are they political?
•...and more!
Music heard in this podcast:
• "Take the Time," Dream Theater
• "Mystery Boogie," Fleetwood Mac
• "The Fighting Side of Me," Merle Haggard
• "Burn the Flag," The Starkweathers
• "Ramble Tamble," Creedence Clearwater Revival
• "My Cup Runneth Over," Ed Ames
Via Jon Favreau's Twitter Feed comes the most adorable, geek movie parody I have ever seen...
Sarah Pulliam Bailey echoes and amplifies the point I made in our podcast with Jason Snell, except she did it for the readers of the Wall Street Journal (of which there are considerably more than the, er,...select audience listening to Joel and me):
The show's writers have hooked an invested group of about 11 million viewers, and these devotees want to believe some larger purpose exists in the storytelling, something meaningful that makes six seasons of watching worthwhile. Each week, however, every answer seems to lead to more questions, leaving enthusiasts with grave angst.
Yet this is how all of life unfolds. In the end, we may find only an approximation of the truth. The viewers' search for meaning in "Lost" exemplifies a microcosm of that experience. If we give the writers a little grace and extend some patience, the suspense leading up to the finale of this television show could teach us something about faith in general.
"I wish you had believed me," Parallel-Universe Locke says as he lies in the hospital. Later, Jack says the same thing to Locke. I've come around to the view that "Lost" won't answer every single question when it ends Sunday night. It might even leave open some big ones. That's okay with me. We don't call them "mysteries" for nothing. Not all mysteries can be solved.
(Cross-posted at RBJonesPhotography.com)
I remember watching Floyd’s amazing Stage 17 performance in the 2006 Tour de France live on television. I was dumbfounded and thrilled. When my wife got home, I showed her the entirety of the stage’s television coverage, watching along with her. We even sat on the couch together afterward as I read aloud the live-blogging entries of a writer for VeloNews whose blow-by-blow account of Landis’s shocking recovery and devastation of his opponents on that epic mountain stage. We laughed and reveled in the unexpected and unorthodox moves and the bewildered descriptions they elicited from commentators on tv and online.
© 2010 RB Jones Photography
Well… we probably all knew this day was coming. Not all of us, certainly. There were those who either wanted to believe bad enough, or who knew just enough about chemistry or medicine to be able to see a glimmer of possibility in the explanations that the test(s) [that showed his two types of testosterone levels to be too far apart] were a result of his body’s conversion of medication for his ailing hip. Alas. I had my strong suspicions, particularly since reading David Walsh’s book From Lance to Landis. Since then, I’ve considered everyone who had ever been a part of the US Postal team to have been part of a systematic doping program with Johan Bruyneel at its helm.
© 2010 RB Jones Photography
Much more after the jump. Click below...
As ABC's "Lost" hurdles toward its thrilling Sunday night series finale, Ben Boychuk and Joel Mathis discuss the show and its meaning with Macworld's Jason Snell. The podcast was recorded over the weekend, before Tuesday's episode, "What They Died For."
Among the questions we explore:
• Where does "Lost" rank in the science fiction pantheon?
• Are showrunners Carlton Cuse and Damon Lindelof giving their fans the finger?
• What do creators owe to their fans, anyway?
• What do "Lost" and "Battlestar Galactica" have in common?
• What do "Lost" and "Twin Peaks" have in common?
• Is the music in "Lost" like another character in the show?
• How should "The End" end?
Music heard in this podcast:
• Selections from Michael Giacchino's scores to "Lost," seasons 2 through 5.
As ABC's "Lost" hurdles toward its thrilling Sunday night series finale, Ben Boychuk and Joel Mathis discuss the show and its meaning. But...something is missing. It's almost as if this podcast was recorded in a parallel timeline. (Or maybe Jason Snell forgot what time we were scheduled to record...) The podcast was recorded over the weekend, before Tuesday's episode, "What They Died For."
Among the questions we explore:
• Are the Others really the good guys?
• What do "Lost" and "Battlestar Galactica" have in common?
• Are showrunners Carlton Cuse and Damon Lindelof giving their fans the finger?
• Is Ben Linus a metaphor for George W. Bush?
• Is the music in "Lost" like another character in the show?
• How should "The End" end?
Music heard in this podcast:
• Selections from Michael Giacchino's scores to "Lost," seasons 2 through 5.
Apparently, this has been around for awhile. But I hadn't seen it until a moment ago -- I haven't seen Rush live in probably 15 years, come to think of it -- and I think it's the bee's knees...
(Hat tip: Mick Shrimpton on Twitter.)
So I was going through a drawer today where I absentmindedly tossed a bunch of old Zip disks and CD-Rs containing backed up Word files, e-mail and such. I made some delightful and unexpected discoveries. Among other things, I discovered an ancient cache of writings from my college days, including my senior honors thesis on H.L. Mencken and a journal I kept for about three years.
Anyhow, I also have thousands upon thousands of pieces of e-mail saved. The problem is, the vast majority of it is old, old AOL. The kind of AOL files that would have worked just fine with, say, Mac OS 9.2 or thereabouts. The kind that would be supported in Mac Classic... if Classic were still supported, that is.
Now, I suppose I could look this up, but I was hoping one of my dozen or so regular readers might have an idea of how to recover this material. I expect some trouble. I fear some expense. The question is: How much?
Joel takes a momentary respite from politics to pen a nice little bit of reporting and analysis for Macworld on this weekend's second-most important event. If this were one of our Scripps-Howard columns, I wonder which way Joel would go?
Update: I won't have time today to follow all of the iPad coverage, but I did notice Cory Doctorow's dissenting post at Boing Boing. Doctorow links to another post likening the device to "the second coming of the CD-Rom," slams Marvel's comic app (fair cop), and concludes: "If you want to live in the creative universe where anyone with a cool idea can make it and give it to you to run on your hardware, the iPad isn't for you." Now who's naive? (Via Memeorandum.)
...you'll likely enjoy this Academy Award winning movie trailer. It's the feel-good hit of the season!
(Hat tip: Steve Hayward)
I have to believe this book, brought to you by the same guy who wrote Pride and Prejudice and Zombies, will be terrible. (These mash-up books featuring classic characters or historical figures battling supernatural creatures are sort of annoying, aren't they?) But the book's "trailer" looks fun. I will probably skip the novel and wait for the feature film. Incidentally, movie version of Pride and Prejudice and Zombies, which stars Natalie Portman, is in production now and is scheduled for release in 2011.
(Hat tip: Gamma Squad)
As Big Government's Capitol Confidential noted the other day, net neutrality is an issue that that is dear to the left, but has flown under the radar of most Americans. It's a rather technical and arcane subject, but can be summed up rather simply: Net neutrality rules enforced by the Federal Communications Commission would allow government bureaucrats to micromanage the Internet — thus sucking out the lifeblood of the digital economy and threatening the dynamism and freedom we've come to take for granted online.
Proponents of net neutrality claim that Internet Service Providers (ISPs) abuse their position as "gatekeepers" to the Web, and the public needs government to establish strict "rules of the road" to protect us from their scheming. Trouble is, the evidence of abusive practices by ISPs is anecdotal and thinner than an iPod mini. The digital economy is currently so dynamic and cutthroat that free-market forces work quickly to correct any undesirable hiccups that arise — all without any micro-managing of the tech industry by government.
Net neutrality advocates insist we need government to preserve an "open" and "free" Internet and claim the market has failed. But they cannot point to any market failures that make the Internet less open or free. In short, the Internet isn't broken. And it doesn't need a government fix. No matter. The left presses ahead, because the facts are irrelevant. The goal is to put government in charge of digital policy, taking away your freedom as a consumer to shape the Internet with your own choices.
This would stifle the enormous private investment and innovation that has created the modern Internet — in part, because industries would be relegated to playing "Mother May I?" with the FCC before releasing its latest innovation. And that's the best-case scenario. The Reason Foundation's Steve Titch argues that if government-enforced net neutrality rules were in place five years ago, the iPhone as we know it wouldn't exist. But on a more basic level, only a committed leftist could believe that more government involvement in ... well ... anything results is more economic dynamism and gains in personal freedom.
As noted in the video below, produced by The Heartland Institute, government isn't in the business of preserving freedom, but of exercising power to regulate industries and control people. And this is an important thing to keep in mind — especially since President Obama recently reiterated his commitment to have government enforce a net neutrality regime on your Internet.
The video takes apart Obama's statements on the subject in his Feb. 1 YouTube interview, and attempts to take the broader view so what's at stake can be better understood by non-techies.
Tangina Barrons has joined Carol Anne in the light.
Or, rather, the actress who immortalized the character in three Poltergeist films has gone to her reward. Zelda Rubenstein was 76.
The diminutive Rubenstein did cartoon voice work before making her debut in the atrocious Chevy Chase-Billy Barty vehicle, Under the Rainbow. She went on to roles on television, including most memorably as the sheriff's radio dispatcher in Picket Fences.
But this will be how millions of fans will remember her:
(More Rubenstein clips here.)
At 47, Rubinstein -- a Pittsburgh native, Zaius will be happy to know -- abruptly decided to end her career as a medical technician. She told an interviewer:
“I had no idea what I would do next, but I knew it would involve advocacy for those people who were in danger of being disenfranchised,” she said. “I wanted a platform to be visible as a person who is different, as a representative of several varieties of differences. This is the most effective way for me to carry a message saying, ‘Yes you can.’ I took a look at these shoulders in the mirror and they’re pretty big. They can carry a lot of Sturm und Drang on them.”
Rest in peace, madame.
I just realized that I always buy Apple products about a year after they come out, and I get the next generation...Apple ][+, Mac 1024K, Mac IIci, iPod 10GB...and when I haven't done that, I've regretted it (like when I bought one of the first Intel iMacs, and missed out on a bunch of small upgraded added in the next few months).
So I urge everyone to go buy an iPad when it comes out, so it is successful...and I can buy one in March, 2011...
Techland calls these "masterpieces." For certain, they are interesting films. And I'm glad one of my all-time favorites, "Serenity," made the list.
Gumby creator Art Clokey has died. The animator and filmmaker had a rough childhood but lived a remarkable life and left an indelible legacy for several generations of kids. He was 88.
If you came of age in the 1980s, you will likely remember a short-lived Gumby revival and, of course, Eddie Murphy's take on the character in the Silver Age of Saturday Night Live. This is what I remember most, though...
"If you've got a heart, then Gumby's a part of you." Rest in peace, Art Clokey.
All Internet lists exist to prompt arguments, spark controversies, share a bit of knowledge, and generate lots of links. Ken Denmead -- a.k.a. GeekDad at Wired -- has contributed the best and the worst of the new decade with his "100 Quotes Every Geek Should Know," a document that at once delights and appalls. I mean, he includes Roy Batty's last three words in Blade Runner but not the immortal lines that precede them? Seriously? And he will rue the day he chose a couple of pedestrian lines from Real Genius.
I would note, too, that not all of Denmead's selections are from sci-fi or fantasy films. There are even a couple of song lyrics. Fine. But with such a broad criteria, where's Apocalypse Now? No, not the obvious one. Any self-respecting geek ought to know you can't land on one-quarter or three-eighths of Venus. That's dialectic physics!
The comments on the piece are lively and there are some excellent suggestions. (And it's really not such a bad list... I guess. De gustibus non est disputandum and all that.) One I would have liked to have seen from the endlessly quotable Army of Darkness: "It's a trap, get an axe!" I use that one all the time.
Well... what say you?
Via Memeorandum comes this odd story out of Houston:
AT-4 Light Anti-Tank Rocket
Police went to a southwest Houston apartment to break up a disturbance but ended up finding something else, KPRC Local 2 reported Wednesday.
A woman called police on Monday and said a man was forcing his way into her apartment in the 5300 block of Elm Street.
When officers went inside, they found something that made them concerned enough to call the bomb squad.
They found an AT-4 shoulder-mounted rocket launcher. It can shoot a missile nearly 1,000 feet through buildings and tanks.
"It gives infantrymen the advantage with an ultra-light weapon that can stop vehicles, armored vehicles as well as main battle tanks and fortifications," said Oscar Saldivar of Top Brass Military and Tactical on the North Freeway.
That type of rocket launcher has been used in Iraq and Afghanistan.
The man reportedly had jihadi literature, too. Robert Spencer finds these details alarming: "Rocket launcher? Check. Jihadist writings? Check. But no worries -- the Feds found no ties to terrorism!"
Well, that's typical. And it's hardly a crime to possess jihadist propaganda. But wait... what? How is it the man won't be charged with a crime for having a battlefield weapon in his apartment?
Because it was disarmed and deactivated, of course -- a detail we learn four paragraphs from the end of the story. I really hate it when the media buries inconvenient information like that. And this is one case where I think Spencer may have gotten a bit caught up in the TV report's sensationalism.
Believe me, I know what I'm talking about when it comes to disarmed rocket launchers. I read recently that the spent LAW tube I had when I was a kid has since been outlawed. I got rid of mine years ago in a move. But what a stupid law. The only thing dangerous about it was the fiberglass lining the inside!
Update: Confederate Yankee echoes my point above. His headline is perfect: "Houston Wets Itself Over Glorified Pipe."
Our friends at Lake Superior State University have released this year's list of 15 overused words and phrases that should be banished from our beleaguered public discourse. Although it's difficult to argue with the vast majority of the school's picks, last year's list was notable for including "monkey," which drove Dr. Zaius into a poo-throwing frenzy. Nevertheless, Lake Superior has established a pretty good track record over 35 years, and the 2009 list features only one word -- app -- with which I would quibble.
The 2009 lexicographical legion of dishonor features:
• Shovel-ready: "A relatively new term already overused by media and politicians."
• Transparent/transparency: "In reality, political transparency is more invisible than obvious!"
• Czar: "First it was a 'drug czar' [banished in 1990]. This year gave us a 'car czar.' What's next? A 'banished words czar'?"
• Tweet (and all variations): "Pointless…yet has somehow managed to take the nation by storm. I'm tired of hearing about celebrity X's new tweet, and how great of a tweeter he or she is."
• App: "Is there an 'app' for making this annoying word go away? Why can't we just call them 'programs' again?"
• Sexting: "Any dangerous new trend that also happens to have a clever mash-up of words, involves teens, and gets television talk show hosts interested must be banished."
• Friend (as verb): "'Befriend' is much more pleasant to the human ear and a perfectly useful word in the dictionary."
• Teachable moment: "What might otherwise be known as 'a lesson.'"
• In these economic times: "Overused and redundant. Aren't ALL times 'these economic times'?"
• Stimulus: "It is no longer a grant, it's stimulus money, stimulus checks, etc."
• Toxic assets: "Whatever happened to simply 'bad stocks,' 'debts,' or 'loans'?"
• Too big to fail: "Just for the record, nothing's too big to fail unless the government lets it."
• Bromance: "Have we really reached the point where being friends has to be described in a pseudo-romantic context? Just stop it already!" (Not soon enough for me!)
• Chillaxin': "It should receive bonus points for its ability to exhort the opposite reaction from the receiver."
• Obama (as prefix or root): "Obamanomics, Obamanation, Obamafication, Obamacare, Obamalicious, Obamaland... We say Obamanough already."
Any other nominees?
Oh, mama. The Iron Man 2 trailer is out. Geek Tyrant, as always, has the scoop. We've got Tony Stark doing what Tony Stark does. We've got Whiplash -- I was a big fan of the comic, but I never realized Whiplash was quite so... foreign. We have a glimpse of Nick Fury. We have Scarlett Johansson as Black Widow, for no discernible reason. We have Whiplash doing what Whiplash does. And we have... War Machine.
Oh, yeah. I couldn't wait for the first one. I really can't wait for the second.
Update: Joel says, "for once, I’ve got nothing snarky to say." But he does have video of Robert Downey Jr. doing something horrible.
Wow! Did you catch this on Conan O'Brien? William Shatner is brilliant, as always. But Sarah Palin isn't too bad here, either. The transition is a little awkward, but it's a fine bit of comedy. "What made T.J. Hooker's character so interesting...?" Watch to find out. Good stuff.
That's an easy one: No, of course not. But Joel takes the question by a Philadelphia City Paper blogger seriously and devises a more qualified answer.
The old Saturday Night Live, Chris Rywalt writes, "is actually much, much worse than we remember. The current season only seems like a severe drop in quality. The show has actually always sucked."
Rywalt, as usual, isn't entirely wrong. But he isn't quite right, either. (And vice-versa.) In more than 30 years on the air, Saturday Night Live has produced many gems. Think of the Two Wild and Crazy Guys, the Samurai Deli, Gumby, Willie and Frankie, Billy Crystal's Joe Franklin Show bits, Ebony and Ivory, Chris Farley's Motivational Speaker, The Sinatra Group, "More Cowbell." Think of those great ad parodies like Schmitt's Gay and Bad Idea Jeans. But a show that has 90 minutes to fill also produces a lot of unfunny garbage. How many sketches have we seen over the years that went on for six or seven minutes with few laughs and lame endings?
Andy Samberg's digital shorts are exemplars of the best and worst of Saturday Night Live currently. I'm a big fan of Samberg's humor-laced brand of Jewish hip-hop. As good as those videos are, however, there always seems to be something that strikes a sour note. The Taser punch line in "On the Ground" doesn't quite work for me. And there is something about Shy Ronnie's "accident" that falls one or two degrees short of funny to me, even though the ending is terrific.
Subjective? Well, in matters of taste there is no argument, as the sages say. I believe I'll have another potato chip.
Joel tweets: "It's fun to watch the media ponder 'the meaning' of Tiger's transgressions, as though it had any meaning at all."
Yep. I've done my level best to avoid the "coverage" of this "story." (Could I possibly work any more sneer quotes into this post? We'll "see.") I just can't get worked up about it. Until a few moments ago, I could barely muster even an iota of amusement.
But then Jonah Goldberg posted this video of a Chinese TV news story, complete with computer reenactments of the events leading up to the "accident."
It's a "riot."